Black Internationalist Feminism examines how African American women writers affiliated themselves with the post-World War II Black Communist Left and developed a distinct strand of feminism. This vital yet largely overlooked feminist tradition built upon and critically retheorized the postwar Left's "nationalist internationalism," which connected the liberation of Blacks in the United States to the liberation of Third World nations and the worldwide proletariat. Black internationalist feminism critiques racist, heteronormative, and masculinist articulations of nationalism while maintaining the importance of national liberation movements for achieving Black women's social, political, and economic rights. Cheryl Higashida shows how Claudia Jones, Lorraine Hansberry, Alice Childress, Rosa Guy, Audre Lorde, and Maya Angelou worked within and against established literary forms to demonstrate that nationalist internationalism was linked to struggles against heterosexism and patriarchy. Exploring a diverse range of plays, novels, essays, poetry, and reportage, Higashida illustrates how literature is a crucial lens for studying Black internationalist feminism because these authors were at the forefront of bringing the perspectives and problems of black women to light against their marginalization and silencing. In examining writing by Black Left women from 1945–1995, Black Internationalist Feminism contributes to recent efforts to rehistoricize the Old Left, Civil Rights, Black Power, and second-wave Black women's movements. 0252079647
When Gail Harris was assigned by the U.S. Navy to a combat intelligence job in 1973, she became the first African American female to hold such a position. Her 28-year career included hands on leadership in the intelligence community during every major conflict from the Cold War to Desert Storm to Kosovo, and most recently at the forefront of one of the Department of Defense's newest challenges: Cyber Warfare. At her retirement, she was the highest ranking African American female in the Navy. A Woman's War: The Professional and Personal Journey of the Navy's First African American Female Intelligence Officer is an inspirational memoir that follows Gail Harris's career as a naval intelligence officer, sharing her unique experience and perspective as she completed the complex task of providing intelligence support to military operations while also battling the status quo, office bullies, and politics. This book also looks at the way intelligence is used and misused in these perilous times. [Gail_Harris]_A_Woman's_War_The_Professional_and__bookos-z1.org_
Female Subjectivity in African American Women’s Narratives of Enslavement is a new and innovative study of black women’s transformation, which focuses on black women writers who support the notion of separate location for a changed female consciousness. This book offers the concept of the “Transient Woman” as a new paradigm and feminist vision for analyzing female subjectivity and consciousness. [Lynette_D._Myles]_Female_Subjectivity_in_African__bookos-z1.org_
Whether in schoolrooms or kitchens, state houses or church pulpits, women have always been historians. Although few participated in the academic study of history until the mid-twentieth century, women labored as teachers of history and historical interpreters. Within African-American communities, women began to write histories in the years after the American Revolution. Distributed through churches, seminaries, public schools, and auxiliary societies, their stories of the past translated ancient Africa, religion, slavery, and ongoing American social reform as historical subjects to popular audiences North and South. This book surveys the creative ways in which African-American women harnessed the power of print to share their historical revisions with a broader public. Their speeches, textbooks, poems, and polemics did more than just recount the past. They also protested their present status in the United States through their reclamation of that past. Bringing together work by more familiar writers in black America-such as Maria Stewart, Francis E. W. Harper, and Anna Julia Cooper-as well as lesser-known mothers and teachers who educated their families and their communities, this documentary collection gathers a variety of primary texts from the antebellum era to the Harlem Renaissance, some of which have never been anthologized. Together with a substantial introduction to black women's historical writings, this volume presents a unique perspective on the past and imagined future of the race in the United States. [Laurie_F._Maffly-Kipp__Kathryn_Lofton]_Women's_Wo_bookos-z1.org_
Sowing for others to reap a collection of papers of the Ohio Federation of Colored Women's Clubs This book, "Sowing for others to reap", by Carrie W. Clifford, is a replication of a book originally published before 1900. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible. sowingforotherst00ohio
Babylon Girls is a groundbreaking cultural history of the African American women who performed in variety shows—chorus lines, burlesque revues, cabaret acts, and the like—between 1890 and 1945. Through a consideration of the gestures, costuming, vocal techniques, and stagecraft developed by African American singers and dancers, Jayna Brown explains how these women shaped the movement and style of an emerging urban popular culture. In an era of U.S. and British imperialism, these women challenged and played with constructions of race, gender, and the body as they moved across stages and geographic space. They pioneered dance movements including the cakewalk, the shimmy, and the Charleston—black dances by which the “New Woman” defined herself. These early-twentieth-century performers brought these dances with them as they toured across the United States and around the world, becoming cosmopolitan subjects more widely traveled than many of their audiences. Investigating both well-known performers such as Ada Overton Walker and Josephine Baker and lesser-known artists such as Belle Davis and Valaida Snow, Brown weaves the histories of specific singers and dancers together with incisive theoretical insights. She describes the strange phenomenon of blackface performances by women, both black and white, and she considers how black expressive artists navigated racial segregation. Fronting the “picaninny choruses” of African American child performers who toured Britain and the Continent in the early 1900s, and singing and dancing in The Creole Show (1890), Darktown Follies (1913), and Shuffle Along (1921), black women variety-show performers of the early twentieth century paved the way for later generations of African American performers. Brown shows not only how these artists influenced transnational ideas of the modern woman but also how their artistry was an essential element in the development of jazz. [Jayna_Brown]_Babylon_Girls_Black_Women_Performer_bookos-z1.org_
Fifteen years ago, New Jersey became the first of over twenty states to introduce the family cap, a welfare reform policy that reduces or eliminates cash benefits for unmarried women on public assistance who become pregnant. The caps have lowered extra-marital birth rates, as intended but as Michael J. Camasso shows convincingly in this provocative book, they did so in a manner that few of the policys architects are willing to acknowledge publicly, namely by increasing the abortion rate disproportionately among black and Hispanic women. In Family Caps, Abortion, and Women of Color, Camasso (who headed up the evaluation of the nations first cap) presents the caps history from inception through implementation to his investigation and the dramatic attempts to squelch his unpleasant findings. The book is filled with devastatingly clear-cut evidence and hard-nosed data analyses, yet Camasso also pays close attention to the reactions his findings provoked in policymakers, both conservative and liberal, who were unprepared for the effects of their crude social engineering and did not want their success scrutinized too closely. Camasso argues that absent any successful rehabilitation or marriage strategies, abortion provides a viable third way for policymakers to help black and Hispanic women accumulate the social and human capital they need to escape welfare, while simultaneously appealing to liberals passion for reproductive freedom and the neoconservatives sense of social pragmatism. Camasso's conclusions will please no one along the political spectrum, making it all the more essential for them to be studied widely. A classic example of what can happen to research and the researcher when research findings become misaligned with political goals and strategies, Family Caps, Abortion and Women of Color is sure to foment a contentious but vital discussion among all who read it. [Michael_Camasso]_Family_Caps__Abortion_and_Women__bookos-z1.org_
June Jordan was born on July 9, 1936, in Harlem, New York, to Mildred and Granville Jordan, Jamaican natives. During her life, she became one of the most prolific, important, and influential African American writers of her time. Before her death from breast cancer in 2002, Jordan published more than 27 books, including Some of Us Did Not Die, Solider: A Poet's Childhood, Poetry for the People: Finding a Voice through Verse, Haruko Love Poems, and Naming Our Destiny. Her work Civil Wars, a collection of letters and essays, addressed such topics as violence, homosexuality, race, and black feminism. Working in many genres and touching on many themes and issues, Jordan was a powerful force in American literature. This biography reveals the woman, the writer, the poet, the activist, the leader, and the educator in all her complexity. Working in many genres and touching on many themes and issues, June Jordan was a powerful force in American literature. This biography reveals the woman, the writer, the speaker, the poet, the activist, the leader, and the educator in all her complexity. June Jordan was born on July 9, 1936, in Harlem, New York, to Mildred and Granville Jordan, Jamaican natives. During her life, she became one of the most prolific, important, and influential African American writers of her time. Before her death from breast cancer in 2002, Jordan published more than 27 books, including Some of Us Did Not Die, Solider: A Poet's Childhood, Poetry for the People: Finding a Voice through Verse, Haruko Love Poems, and Naming Our Destiny. Her work Civil Wars, a collection of letters and essays, addressed such topics as violence, homosexuality, race, and black feminism. Kinloch offers a life and letters of this prolific writer, delving into both her biography and her contributions as a writer and activist. This approach unveils the power of language in Jordan's poems, essays, speeches, books—and ultimately in her own life—as she challenged political systems of injustice, racism, and sexism. Kinloch examines questions surrounding the pain of writing, the anger of oppression, and the struggle of African American women to assert their voices. Attention is paid to the ways in which Jordan's life informed her writings her perspectives, and her contributions to the global landscape of class, race, and gender issues. The writer's major works are explored in detail, as Kinloch weaves discussions of her life into critical considerations of her writings. Ultimately, this portrait illustrates the ways in which Jordan's career represented her dedication to making words work; her ability to rally and revolutionize the spirit of people invested in decolonization, love, and freedom; and her responsiveness to the world in which she lived. [Valerie_Kinloch]_June_Jordan_Her_Life_and_Letter_bookos-z1.org_
Writing and composing with honesty and humanism, Lucille Clifton is known for her themes of the body, family, community, politics, womanhood, and the spirit. While much of her work deals with the African American experience, she does not limit herself to that perspective, addressing topics common to all women, to all people. This timely and important biography will give readers a glimpse into the life and work of this important and revered African American poet, writer, and educator, exploring themes that run throughout her writing, as well as the personal obstacles she faced and overcame. Lucille Clifton was born in Depew, New York, in 1936. Today, she is one of the most important and revered African American poets, writers, and educators in the nation. In addition to several works of poetry, she has written more than 15 children's books. Her work has been nominated for three Pulitzer Prizes and two National Book Awards, one of which she won for Blessing the Boats: New and Selected Poems 1988-2000 in 2000. In 1999, she was appointed and remains a Chancellor of the American Academy of Poets, one of the most prestigious honors in American letters. Among her best known works is the poem miss rosie, anthologized many times over and a standard part of high school curriculums. She has won an Emmy award, a Lannan Literary Award, two fellowships from the National Endowmant for the the Arts, and many other prestigious awards. Writing and composing with honesty and humanism, Clifton is known for her themes of the body, family, community, politics, womanhood, and the spirit. While much of her work deals with the African American experience, she does not limit herself to that perspective, addressing topics common to all women, to all people. This biography covers Clifton's life and work, addressing themes that run throughout her writing as well as the personal obstacles she faced and overcame, including her own faultering health. This timely and important biography will give readers a glimpse into the life of one of America's most important, influential, and enduring writers. [Mary_Jane_Lupton]_Lucille_Clifton_Her_Life_and_L_bookos-z1.org_
The first edition of Black Women in American Bands & Orchestras (a Choice Outstanding Academic Book in 1982) was lauded for providing access to material unavailable in any other source. To update and expand the first edition, Handy has revised the profiles of members featured in the first edition, corrected omissions, and added personal and career facts for new faces on the scene. Profiles are presented under the headings of orchestras and orchestra leaders, string players, wind and percussion players, keyboard players, and non-playing orchestra/band affiliates. Features 100 photographs. [d._antoinette_handy]_black_women_in_american_band_bookos-z1.org_
Second in a series of empowerment guides from NiaOnline.com, the web’s leading community site for black women. It’s a frank and personal guide to handling the complexities, conflicts, and challenges of being a successful black working woman today, from balancing work and personal lives, dealing with race- and gender-related issues in the office, seeking out the most fulfilling work, and finding the composure, peace, and strength necessary to fight (and win!) the corporate wars. Full of insightful perspectives on the realities of black women's working lives, helpful tips and suggestions, and personal stories from other successful black women. [Sheryl_Huggins__Cheryl_Mayberry_McKissack]_The_Ni_bookos-z1.org_
In nineteenth-century America, many black women left their homes, their husbands, and their children to spread the Word of God. Descendants of slaves or former “slave girls” themselves, they traveled all over the country, even abroad, preaching to audiences composed of various races, denominations, sexes, and classes, offering their own interpretations of the Bible. When they were denied the pulpit because of their sex, they preached in tents, bush clearings, meeting halls, private homes, and other spaces. They dealt with domestic ideologies that positioned them as subservient in the home, and with racist ideologies that positioned them as naturally inferior to whites. They also faced legalities restricting blacks socially and physically and the socioeconomic reality of often being part of a large body of unskilled laborers. Jarena Lee, Julia Foote, Maria Stewart, and Frances Gaudet were four women preachers who endured such hardships because of their religious convictions. Often quoting from the scripture, they insisted that they were indeed prophesying daughters whom God called upon to preach. Significantly, many of these women preachers wrote autobiographies in which they present images of assertive, progressive, pious women—steadfast and unmovable in their religious beliefs and bold in voicing their concerns about the moral standing of their race and society at large. Chanta M. Haywood examines these autobiographies to provide new insight into the nature of prophesying, offering an alternative approach to literature with strong religious imagery. She analyzes how these four women employed rhetorical and political devices in their narratives, using religious discourse to deconstruct race, class, and gender issues of the nineteenth century. By exploring how religious beliefs become an avenue for creating alternative ideologies, Prophesying Daughters will appeal to students and scholars of African American literature, women’s studies, and religious studies. [Chanta_M._Haywood]_Prophesying_Daughters_Black_W_bookos-z1.org_
In the 1960s, increasing numbers of African American students entered predominantly White colleges and universities in the northern and western United States. Too Much to Ask focuses on the women of this pioneering generation, examining their educational strategies and experiences and exploring how social class, family upbringing, and expectations--their own and others'--prepared them to achieve in an often hostile setting. Drawing on extensive questionnaires and in-depth interviews with Black women graduates, sociologist Elizabeth Higginbotham sketches the patterns that connected and divided the women who integrated American higher education before the era of affirmative action. Although they shared educational goals, for example, family resources to help achieve those goals varied widely according to their social class. Across class lines, however, both the middle- and working-class women Higginbotham studied noted the importance of personal initiative and perseverance in helping them to combat the institutionalized racism of elite institutions and to succeed. Highlighting the actions Black women took to secure their own futures as well as the challenges they faced in achieving their goals, Too Much to Ask provides a new perspective for understanding the complexity of racial interactions in the post-civil rights era. [Elizabeth_Higginbotham]_Too_Much_to_Ask_Black_Wo_bookos-z1.org_
Theorizing Black Feminisms outlines some of the crucial debates going on within contemporary Black Feminist activity. In so doing it brings together a collection of some of the most exciting work by Black women scholars around. It presents essays across a range of subjects; literature, sociology, history, political science, anthropology, and art, amongst others. And it refuses to be limited by notions of disciplinary boundaries or divisions between theory and practice. Most importantly all the essays celebrate Black women's agency and their pragmatic activism. [Stanlie_James]_Theorizing_Black_Feminisms_The_Vi_bookos-z1.org_
This book focuses on the lives of five unique, nationally known sociologists who are among the first African American women to receive doctorate degrees in this discipline. The histories of Jacquelyne Johnson Jackson, LaFrancis Rodgers-Rose, Joyce A. Ladner, Doris Wilkinson, and Delores P. Aldridge are accompanied by personal sociologies and detailed descriptions of unique areas of research they have used for social change. In each case, the reader will be able to see the intellectual and academic evolution of the sociologists as they built careers in their discipline. Further, the reader will be able to understand how these sociologists extended the very definition of the sociological enterprise by their movements between academic sociology and non-academic organizations, various social movements, and non-academic employment. Interviews with and analyses of the sociologists' published research are featured alongside their biographical information. [Delores_P._Aldridge]_Imagine_a_World_Pioneering__bookos-z1.org_
Shaping Memories offers short essays by notable black women writers on pivotal moments that strongly influenced their careers. With contributions from such figures as novelist Paule Marshall, folklorist Daryl Cumber Dance, poets Mari Evans and Camille Dungy, essayist Ethel Morgan Smith, and scholar Maryemma Graham, the anthology provides a thorough overview of the formal concerns and thematic issues facing contemporary black women writers. Editor Joanne Veal Gabbin offers an introduction that places these writers in the context of American literature in general and African American literature in particular. Each essay includes a headnote summarizing the writer's career and aesthetic development. In their pieces these women negotiate educational institutions and societal restrictions and find their voices despite racism, sexism, and religious chauvinism. They offer strong testimony to the power of words to heal, transform, and renew [Joanne_Veal_Gabbin]_Shaping_Memories_Reflections_bookos-z1.org_
Classic African American Women's Narratives offers teachers, students, and general readers a one-volume collection of the most memorable and important prose written by African American women before 1865. The book reproduces the canon of African American women's fiction and autobiography during the slavery era in U.S. history. Each text in the volume represents a "first." Maria Stewart's Religion and the Pure Principles of Morality (1831) was the first political tract authored by an African American woman. Jarena Lee's Life and Religious Experience (1836) was the first African American woman's spiritual autobiography. The Narrative of Sojourner Truth (1850) was the first slave narrative to focus on the experience of a female slave in the United States. Frances E. W. Harper's "The Two Offers" (1859) was the first short story published by an African American woman. Harriet E. Wilson's Our Nig (1859) was the first novel written by an African American woman. Harriet Jacob's Incidents in the Life of a Slave Girl (1861) was the first autobiography authored by an African American woman. Charlotte Forten's "Life on the Sea Islands" (1864) was the first contribution by an African American woman to a major American literary magazine (the Atlantic Monthly). Complemented with an introduction by William L. Andrews, this is the only one-volume collection to gather the most important works of the first great era of African American women's writing. [William_L._Andrews]_Classic_African_American_Wome_bookos-z1.org_
What does the tradition of marriage mean for people who have historically been deprived of its legal status? Generally thought of as a convention of the white middle class, the marriage plot has received little attention from critics of African-American literature. In this study, Ann duCille uses texts such as Nella Larsen's Quicksand (1928) and Zora Neale Hurston's Their Eyes Were Watching God (1937) to demonstrate that the African-American novel, like its European and Anglo-American counterparts, has developed around the marriage plot--what she calls "the coupling convention." Exploring the relationship between racial ideology and literary and social conventions, duCille uses the coupling convention to trace the historical development of the African-American women's novel. She demonstrates the ways in which black women appropriated this novelistic device as a means of expressing and reclaiming their own identity. More than just a study of the marriage tradition in black women's fiction, however, The Coupling Convention takes up and takes on many different meanings of tradition. It challenges the notion of a single black literary tradition, or of a single black feminist literary canon grounded in specifically black female language and experience, as it explores the ways in which white and black, male and female, mainstream and marginalized "traditions" and canons have influenced and cross-fertilized each other. Much more than a period study, The Coupling Convention spans the period from 1853 to 1948, addressing the vital questions of gender, subjectivity, race, and the canon that inform literary study today. In this original work, duCille offers a new paradigm for reading black women's fiction. [Ann_duCille]_The_Coupling_Convention_Sex__Text___bookos-z1.org_
Traditionally, literature on the civil rights movement has highlighted the leadership of ministerial men and young black revolutionaries like the Reverend Martin Luther King, Jr., Stokely Carmichael, and Malcolm X. Though recent studies have begun to explore female participation in the struggle for racial justice, women have generally been relegated to the margins of civil rights history. In Our Minds on Freedom, Shannon Frystak explores the organizational and leadership roles female civil rights activists in Louisiana assumed from the 1920s to the 1960s, highlighting a diverse group of courageous women who fought alongside their brothers and fathers, uncles and cousins, to achieve a more racially just Louisiana. From the Depression through World War II and the postwar years, Frystak shows, black women joined and led local unions and civil rights organizations, agitating for voting rights and equal treatment in the public arena, in employment, and in admission to Louisiana's institutions of higher learning. At the same time, black women and white women began to find common ground in organizations such as the YWCA, the NAACP, and the National Urban League. Frystak explores how women of both races worked together to organize the 1953 Baton Rouge bus boycott, which served as inspiration for the more famous Montgomery bus boycott two years later;in the day-to-day struggle to alter the system of unequal education throughout the state; and in the fight to integrate New Orleans schools after the 1954 Brown decision. In the early 1960s, a new generation of female activists joined their older female counterparts to work with organizations such as the NAACP, the Congress of Racial Equality (CORE), and a number of local grassroots civil rights organizations. Frystak vividly describes the very real dangers they faced canvassing for voter registration in Louisiana's rural areas, teaching in Freedom Schools, and hosting out-of-town civil rights workers in their homes. As Frystak shows, the civil rights movement allowed women to step out of their socially prescribed roles as wives, mothers, and daughters and become significant actors, indeed leaders, in a social movement structure largely dominated by men. Our Minds on Freedom is a welcome addition to the literature of the civil rights movement and will intrigue those interested in African American history, women's history, Louisiana, or the U.S. South. [Shannon_Frystak]_Our_Minds_on_Freedom_Women_and__bookos-z1.org_
Grounded in the rich history of Chicago politics, For the Freedom of Her Race tells a wide-ranging story about black women's involvement in southern, midwestern, and national politics. Examining the oppressive decades between the end of Reconstruction in 1877 and the election of Franklin Delano Roosevelt in 1932--a period that is often described as the nadir of black life in America--Lisa Materson shows that as African American women migrated beyond the reach of southern white supremacists, they became active voters, canvassers, suffragists, campaigners, and lobbyists, mobilizing to gain a voice in national party politics and elect representatives who would push for the enforcement of the Reconstruction Amendments in the South. [Lisa_G._Materson]_For_the_Freedom_of_Her_Race_Bl_bookos-z1.org_
