thisiskoi.com

Yorùbá Yé Mi is an interactive, communicative, introductory, multi-media program intended to provide college/university students with basic listening, speaking, reading, and writing skills of language learning in Yorùbá. It exposes the learner not only to Yorùbá language in meaningful situations but also to the culture of the Yorùbá-speaking people of South-western Nigeria. It contains effective techniques for teaching and learning Yorùbá including tones, and is userfriendly in its approach. Yorùbá Yé Mi was initially sponsored by University of Texas at Austin College of Liberal Arts Instructional Technology Services. It is currently funded by the Center for Open Educational Resources and Language Learning, coerll.utexas.edu/ and the U.S. Department of Education Title VI Fund for the Improvement of Post-Secondary Education. Yorùbá Yé Mi is an open access site that does not require fees or password. Yorùbá Yé Mi: A Beginning Yorùbá Textbook Audiobook Yoruba_Textbook

In the case of hip-hop, the forces of top-down corporatization and bottom-up globalization are inextricably woven. This volume takes the view that hip-hop should not be viewed with this dichotomous dynamic in mind and that this dynamic does not arise solely outside of the continental US. Close analysis of the facts reveals a much more complex situation in which market pressures, local (musical) traditions, linguistic and semiotic intelligibility, as well as each country's particular historico-political past conspire to yield new hybrid expressive genres. This exciting collection looks at linguistic, cultural and economic aspects of hip-hop in parallel and showcases a global scope. It engages with questions of code-switching, code-mixing, the minority language/regional dialect vs. standard dynamic, the discourse of political resistance, immigrant ideologies, youth and new language varieties and will be essential reading for graduates and researchers in sociolinguistics and discourse analysis. [Marina_Terkourafi]_The_languages_of_global_hip-ho_BookZZ.org_

Afroasiatic languages are spoken by some 300 million people in Northern, Central and Eastern Africa and the Middle East. This book is the first typological study of these languages, which are comprised of around 375 living and extinct varieties. They are an important object of study because of their typological diversity in the areas of phonology (some have tone; others do not), morphology (some have extensive inflectional systems; others do not), position of the verb in the clause (some are verb-initial, some are verb-medial, and some are verb-final) and in the semantic functions they encode. This book documents this typological diversity and the typological similarities across the languages and includes information on endangered and little-known languages. Requiring no previous knowledge of the specific language families, it will be welcomed by linguists interested in linguistic theory, typology, historical linguistics and endangered languages, as well as scholars of Africa and the Middle East. 0521865336

Mother and infant negotiate over food; two high-status males jockey for power; female kin band together to get their way. It happens among humans and it happens among our closest living relatives in the animal kingdom, the great apes of Africa. In this eye-opening book, we see precisely how such events unfold in chimpanzees, bonobos, and gorillas: through a spontaneous, mutually choreographed dance of actions, gestures, and vocalizations in which social partners create meaning and come to understand each other. Using dynamic systems theory, an approach employed to study human communication, Barbara King is able to demonstrate the genuine complexity of apes' social communication, and the extent to which their interactions generate meaning. As King describes, apes create meaning primarily through their body movements--and go well beyond conveying messages about food, mating, or predators. Readers come to know the captive apes she has observed, and others across Africa as well, and to understand "the process of creating social meaning." This new perspective not only acquaints us with our closest living relatives, but informs us about a possible pathway for the evolution of language in our own species. King's theory challenges the popular idea that human language is instinctive, with rules and abilities hardwired into our brains. Rather, The Dynamic Dance suggests, language has its roots in the gestural "building up of meaning" that was present in the ancestor we shared with the great apes, and that we continue to practice to this day. [Barbara_J._King]_The_Dynamic_Dance_Nonvocal_Comm_bookos-z1.org_